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Fb2 Musical AKAs: Assumed Names and Sobriquets of Composers, Songwriters, Librettists, Lyricists, Hymnists and Writers on Music ePub

by Jeanette Marie Drone

Category: Writing Research and Publishing Guides
Subcategory: Reference
Author: Jeanette Marie Drone
ISBN: 0810857391
ISBN13: 978-0810857391
Language: English
Publisher: Scarecrow Press (November 14, 2006)
Pages: 544
Fb2 eBook: 1939 kb
ePub eBook: 1355 kb
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Musical AKAs is a wide-ranging index of assumed names and sobriquets of approximately 9,800 composers, songwriters, lyricists, librettists, hymnists, and writers of music. More than 15,000 assumed names-whether legal name changes, pseudonyms, pen names, or nicknames-have been collected into one easy to reference listing.

Music Reference Services Quarterly. Huismann, M. (2008) Musical AKAs: Assumed Names and Sobriquets of Composers, Songwriters, Librettists, Lyricists, Hymnists and Writers on Music, by Jeanette Marie Drone. In: Music Reference Services Quarterly, Vol. 11, No. 3, pp. 262-263. Find it on Google Scholar. Drag and drop files here.

This catalog lists about 15,500 assumed names of 9,800 composers, lyricists, librettists, and writers on music. This is followed by a list organized by pseudonym. Legal name changes, pen names, nicknames, and initials are included, but individuals who were only performers are not.

Musical AKAs: Assumed Names and Sobriquets of Composers, Songwriters, Librettists, Lyricists, Hymnists and Writers on Music by Jeanette Marie Drone 31. Always Sisters

Musical AKAs: Assumed Names and Sobriquets of Composers, Songwriters, Librettists, Lyricists, Hymnists and Writers on Music by Jeanette Marie Drone 31. Always Sisters. Becoming the Princess You Were Created to Be by CeCe Winans 32. Sing for Your Supper: A DIY Guide to Playing Music, Writing Songs, and Booking Your Own Gigs by David Rovics 33. Songwriting Success: How to Write Songs for Fun and (Maybe) Profit by Michael Lydon 34. How to Write Songs on Guitar: A Guitar-Playing and Songwriting Course by Rikky Rooksby 35. Righting Wrongs in Writing Songs by Danny Cope 36.

Musical AKAs: Assumed Names and Sobriquets of Composers, Songwriters, Librettists, Lyricists, Hymnists and Writers on Music by Jeanette Marie Drone 31.

Jeanette Marie Drone's Documents. Musical AKAs: Assumed Names and Sobriquets of Composers, Songwriters, Librettists, Lyricists, Hymnists and Writers on Music. Musical Theater Synopses. Learn how we and our ad partner Google, collect and use data.

Names and Sobriquets of Composers, Songwriters, Librettists, Lyricists, Hymnists and Writers on Music.

Musical AKAs : Assumed Names and Sobriquets of Composers, Songwriters, Librettists, Lyricists, Hymnists and Writers on Music. by Jeanette Marie Drone. There are many reasons for musical artists to write or compose under an assumed name: be it hiding or drawing attention to their ethnicity or gender, pursuing an additional career or genre, or writing a parody or humorous music.

There are many reasons for musical artists to write or compose under an assumed name: be it hiding or drawing attention to their ethnicity or gender, pursuing an additional career or genre, or writing a parody or humorous music. Often, nicknames are assigned to composers and lyricists, whether they want them or not. Whatever the reasons for these artists to use assumed names instead of or in addition to their own, this comprehensive resource has amassed and cataloged them. Musical AKAs is a wide-ranging index of assumed names and sobriquets of approximately 9,800 composers, songwriters, lyricists, librettists, hymnists, and writers of music. More than 15,000 assumed names―whether legal name changes, pseudonyms, pen names, or nicknames―have been collected into one easy to reference listing. Author Jeanette Drone has assembled information from numerous music sources―including comprehensive and biographical dictionaries and encyclopedias, biographies, journals, Internet web sites, and print and online copyright sources―and organized them into this extensive four-part volume. Part I alphabetically lists the sources in which assumed names or sobriquets were found for three or more individuals. Part II lists alphabetically the original names of artists from both popular and classical music, detailing their assumed names and sobriquets, dates, occupations, source codes, and complete bibliographic citations for print and Internet sources. The pseudonyms are cataloged alphabetically in Part III, with references to the original names. Musical AKAs concludes with Part IV, offering additional explanatory information on both original and assumed names.
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