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Fb2 Konstantin Stanislavski: A Life ePub

by Jean Benedetti

Category: Performing Arts
Subcategory: Photo and Art
Author: Jean Benedetti
ISBN: 0413525104
ISBN13: 978-0413525109
Language: English
Publisher: Methuen Publishing Ltd; First Edition edition (November 10, 1988)
Pages: 320
Fb2 eBook: 1944 kb
ePub eBook: 1433 kb
Digital formats: lrf azw docx mbr

by Konstantin Stanislavsky (Author), Jean Benedetti (Translator). Jean Benedetti is the author of many books about acting and Stanislavsky, including The Art of the Actor (2005); Stanislavsky: An Introduction (2E 2004); and Stanislavsky and the Actor (1998).

by Konstantin Stanislavsky (Author), Jean Benedetti (Translator). All these were co-published with Methuen and, I think, commissioned by them. Initially working as an actor, director and television writer, he turned to teaching and became the Principal of Rose Bruford College, still a highly respected drama school.

Jean Benedetti is the author of many books about acting and Stanislavsky, including The Art of the Actor (2005); Stanislavsky: An Introduction (2E 2004); and Stanislavsky and the Actor (1998).

Jean Benedetti was Principal of the Rose Bruford College of Speech and Drama from 1970 to 1987, and since 1979 has been chairman of the Theatre Education Committee of the International Theatre Institute. In 1982 he published Stanislavski: an Introduction, and his biography of Stanislavski, the first in the West in forty years, was published in the autumn of 1988, and in paperback earlier this year.

Konstantin Stanislavski, Jean Benedetti (Translator). Konstantin Stanislavsky 1863-1963: Man and Actor, Stanislavsky and the World Theatre, Stanislavsky's Letters by.

Konstantin Stanislavski’s most popular book is An Actor Prepares. My Life in Art by. Konstantin Stanislavski. Konstantin Stanislavski, Jean Benedetti (Translator).

Without doubt it was Konstantin Stanislavsky (1863–1938). If you want to understand Stanislavsky's system, you have to read the books. But a crude simplification would go like this. For the spectator to identify with the actor, the actor has to identify with the role. This article was amended on 18 April 2012.

Konstantin Stanislavsky, Russian actor, director, and producer best known for his theory of acting called the Stanislavsky method. Alternative Titles: Konstantin Sergeyevich Alekseyev, Konstantin Sergeyevich Stanislavski, Konstantin Sergeyevich Stanislavsky. Konstantin Stanislavsky, in full Konstantin Sergeyevich Stanislavsky, Stanislavsky also spelled Stanislavski, original name Konstantin Sergeyevich Alekseyev, (born January 5, 1863, Moscow, Russia-died August 7, 1938, Moscow), Russian actor, director, and producer, founder of the Moscow Art Theatre (opened 1898).

The book is a set text for drama students.

Konstantin Stanislavsky, Jean Benedetti.

AbeBooks may have this title (opens in new window).

Jean Benedetti was born in 1930 and educated in England and France. He trained as an actor and teacher at the Rose Bruford College of Speech and Drama, returning in 1970 as Principal of the College until 1987. He is author of a number of semi-documentary television plays. His published translations include Brecht's Edward II and A Respectable Wedding and Georges Michel's A Sunday Walk. His first book was a biography of Gilles de Rais.

'A small jewel of a book, a knowleageable introduction to bothStanislavski's personal development and to the content and range of hiswritings' Theatre Journal'â?¦shows the System to be a practical process - drama school students and actors will be grateful for it' Times Eductational Supplement'A carefully documented study of peak interest and value to every serious student of acting theory' Choice

The Stanislavski 'system' is still the only comprehensive method ofactor training we possess. His theories can be hard to grasp and manyacademic books are impenetrable on the subject. This is a concise bookfor students that presents a readable introduction to the life and workof Stanislavski. It shows the slow growth of the 'system', from itsroots in the tradition of Russian realism, to the various phases itwent through until the final emergence of the Method of Physical Actionin the years before his death. It also provides a short account of thewriting, publication and translation of Stanislavski's books on acting.

In this edition, Jean Benedetti makes several important updates inthe light of new material and new translations becoming available.

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