Fb2 A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock ePub

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American Music Recordings: A Discography of 20th Century . Stravinsky in "Modern Music" (1924–1946) (1982). Oja was president of the Society for American Music (2003–05), and she collaborated with Lucius Wyatt (Prairie View A&M University) to found the Cultural Diversity Committee of the American Musicological Society

Wiley Hitchcock}, author {H. Compositions, memoirs, and essays that celebrate the variety and vitality of American music.

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A Celebration of American Music. Words and Music in Honor of H. Wiley Hitchcock (Ann Arbor) pp. 256–280. Block, Geoffrey 1993 The Broadway Canon from ‘Show Boat’ to ‘West Side Story’ and the European Operatic ideal in The Journal of Musicology vol. 11, no. 4, pp. 525–544. Block, Geoffrey 1997 Enchanted Evenings: The Broadway Musical from Show Boat to Sondheim (New York).

xi, 519 p. : il. music, port Includes bibliographical references and index. Personal Name: Hitchcock, H. Wiley (Hugh Wiley), 1923-2007. music, port. 24 cm. Bibliography, etc. Note: "The published writings of H. Wiley Hitchcock": p. 501-506. Note: Includes bibliographical references and index. Personal Name: Crawford, Richard, 1935-. Personal Name: Lott, R. Allen, 1956

Author of Music in the United States, Ives, The New Grove dictionary of American music, A Celebration of. .Music In the United States a Historical

Author of Music in the United States, Ives, The New Grove dictionary of American music, A Celebration of American music, Music In the United States a Historical, After 100

The leading scholars in many fields contributed and composers who wrote musical tributes included Ross Lee Finney, William Schuman, Virgil Thomson, Milton Babbitt and Gordon Mumma

The Steinways and Their Pianos" by Cynthia Adams Hoover. Originally published in the Journal of the American Musical Instrument Society 7 (1981), 47–89. It is reprinted here with permission.

Hitchcock popularized American music in his work as well as his writing. After a brief period at the University of Michigan, he joined the faculty of the City University of New York in 1961, teaching at Hunter College for ten years, than at Brooklyn College from 1971 until his official retirement in 1993. While there he founded and directed the Institute for Studies in American Music. New York Times, December 9, 2007, p. A33.