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Fb2 Janine Antoni ePub

by Amy Cappellazzo,Ewa Lajer-Burcharth,Marina Warner,Christina Bechtler,Dan Cameron,Nancy Spector,Janine Antoni,Rosa Martinez

Category: Individual Artists
Subcategory: Photo and Art
Author: Amy Cappellazzo,Ewa Lajer-Burcharth,Marina Warner,Christina Bechtler,Dan Cameron,Nancy Spector,Janine Antoni,Rosa Martinez
ISBN: 3775709320
ISBN13: 978-3775709323
Language: English
Publisher: Hatje Cantz Publishers & Ink Tree (July 2, 2000)
Pages: 162
Fb2 eBook: 1942 kb
ePub eBook: 1335 kb
Digital formats: mobi lit lrf doc

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FREE shipping on qualifying offers. She had placed her own body at the center of her work.

She had placed her own body at the center of her work, exploring how the body is both absent and present, visible and invisible.

Essays by Dan Cameron, Amy Cappellazzo, Ewa Lajer-Burcharth, Rosa Martinez, Nancy Spector, Marina Warner. She had placed her own body at the center of her work, exploring how the body is both absent and present, visible and invisible

Hardcover, 162 Pages, Published 2000. ISBN-10: 3-7757-0932-0, 3775709320 ISBN-13: 978-3-7757-0932-3, 9783775709323. more She had placed her own body at the center of her work, exploring how the body is both absent and present, visible and invisible.

Find nearly any book by Amy Cappellazzo. Get the best deal by comparing prices from over 100,000 booksellers. by Amy Cappellazzo, Ewa Lajer-Burcharth, Marina Warner. ISBN 9783775709323 (978-3-7757-0932-3) Hardcover, Hatje Cantz Publishers & Ink Tree, 2000. Find signed collectible books: 'Janine Antoni'. Making Time: Considering Time as a Material. by Amy Cappellazzo, Adriano Pedrosa, Peter Wollen.

Cameron, A. Cappellazzo, E. Lajer-Burcharth, R. Martinez, N. Spector and M. Warner, Janine Antoni, Küsnacht, 2000, pp. 98-99 and 159 (illustrated in color). Free Port, exh. ca. Stockholm, 2001, p. 42 (illustrated). M. Crowe, "UNT and Dallas Gallery Teaming Up for Art Exhibit," North Texas Daily, 20 January 2009 (illustrated in color). New York, Luhring Augustine, Imbed, March-April 1999 (another example exhibited).

Janine Antoni was born in Freeport, Bahamas, in 1964. Antoni has had major exhibitions of her work at the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; . Antoni’s work blurs the distinction between performance art and sculpture. Santa Fe; and Irish Museum of Modern Art, Dublin. The recipient of several prestigious awards, including a John D. and Catherine T. MacArthur Fellowship in 1998 and the Larry Aldrich Foundation Award in 1999, Janine Antoni currently resides in New York.

Arizona ArtBeat: Janine Antoni ^ Heartney, Eleanor; Posner, Helaine; Princenthal, Nancy; Scott, Sue (2013). The reckoning : women artists of the new millennium.

Arizona ArtBeat: Janine Antoni. Shahzia Sikander at Sharjah Biennial 11 Art21 "Artist to Artist". Heartney, Eleanor; Posner, Helaine; Princenthal, Nancy; Scott, Sue (2013).

Anthony Meier Fine Arts. For Janine Antoni, the body is a tool with which to create art. Combining performance and sculpture, she investigates such everyday activities as eating and sleeping

Anthony Meier Fine Arts. Anthony Meier Fine Arts. Combining performance and sculpture, she investigates such everyday activities as eating and sleeping. In her breakthrough piece Gnaw (1992), she used her mouth to chisel away at two Minimalist-looking cubes-one made of 600 pounds of lard and the other of chocolate.

Самые новые твиты от amy cappellazzo (appellazzo): "Very excited to announce this sale in London on. .NYTimes: In China, Grass-Roots Groups Take On . 0 ответов 1 ретвит 4 отметки Нравится.

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Janine Antoni has played a leading role in performance and installation art during the past decade. She had placed her own body at the center of her work, exploring how the body is both absent and present, visible and invisible. Part of Antoni's groundbreaking method has been to use her body both as an art object and as a functioning tool, as canvas, palette and paintbrush--she ''draws'' with a twitch of her eyelashes, ''paints'' with her hair, and ''sculpts'' blocks of fat with her teeth. On the other hand, Antoni just as often takes as her point of departure the sleeping, resting, more or less prenatal body. In Slumber, an electric encephalograph is used to record the instinctive movements of her pupils, and the resulting graphic pattern is integrated into a weaving piece the day after, which, in turn, serves as her blanket at night. The first monograph devoted to Antoni, this brilliant new volume documents the artist's major works in full color, alongside insightful essays.
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