» » The Absolute Artist: The Historiography of a Concept

Fb2 The Absolute Artist: The Historiography of a Concept ePub

by Catherine M. Soussloff

Category: History and Criticism
Subcategory: Photo and Art
Author: Catherine M. Soussloff
ISBN: 0816628963
ISBN13: 978-0816628964
Language: English
Publisher: Univ of Minnesota Pr (March 1, 1997)
Pages: 204
Fb2 eBook: 1322 kb
ePub eBook: 1567 kb
Digital formats: rtf doc lrf mobi

This is the first book to analyze the artist's biography as a rhetorical form and literary genre rather than as an unassailable source of fact and knowledge.

This is the first book to analyze the artist's biography as a rhetorical form and literary genre rather than as an unassailable source of fact and knowledge. Find all the books, read about the author, and more. Are you an author? Learn about Author Central. Catherine M. Soussloff (Author). ISBN-13: 978-0816628971.

Absolute Artist book. Start by marking Absolute Artist: The Historiography of a Concept as Want to Read: Want to Read savin. ant to Read. Analyzes the myth of the artist in western culture.

The Absolute Artist: The Historiography of a Concept University of Minnesota Press 1997.

Listen to Professor Soussloff discuss the book in conversation with Professor Kristin L. Ellsworth on the New Books Network. Foucault on the Arts and Letters Rowman & Littlefield 2016. The Absolute Artist: The Historiography of a Concept University of Minnesota Press 1997. The myth of the artist-genius has long had a unique hold on the imagination of Western culture.

The Absolute Artist: The Historiography of a Concept . Soussloff. Challenging this view, Catherine M. Soussloff considers the social construction of the artist from the fifteenth century to the present. A learned and insightful inquiry into a central founding myth of the discipline of art history. -Michael Ann Holly, University of Rochester. This book insists more than most books concerned with history writing on the interplay between those individuals-their lives and ideas-and the texts that represent them for two reasons. First, this book specifies a certain subcategory of genius as its subject of investigation, the artist.

Catherine M. Soussloff discusses her book Foucault on Painting with Chris Richardson. She is the author of The Absolute Artist: The Historiography of a Concept (Minnesota) and The Subject in Art: Portraiture and the Birth of the Modern (Duke). Her work in progress includes the essay Artist in the World and a book on the bodily self in art and theory.

by Catherine M. Select Format: Hardcover. ISBN13:9780816628971. Release Date:March 1997.

Discover Book Depository's huge selection of Catherine M Soussloff books online. Free delivery worldwide on over 20 million titles. Absolute Artist: The Historiography of a Concept. Catherine M Soussloff. Notify me. Jewish Identity in Modern Art History. J Aesthet Art Critic. He is working on a book for Penguin, The Consuming Passion: How Things Came to Seduce, Enrich, and Define Our. Lives, from the Seventeenth Century to the TwentyFirst. This article is one of a pair seeking to facilitate greater exchange between history and the social sciences. Its twin- Crossing Divides: Globalization and Consumption in History (forthcoming in the Handbook of Globalization Studies, ed.

According to Catherine M. Soussloff, "much of von Schlosser's work raises a question basic to any discourse on visual culture, such as art history, that constructs the . In The Absolute Artist: The Historiography of a Concept

According to Catherine M. Soussloff, "much of von Schlosser's work raises a question basic to any discourse on visual culture, such as art history, that constructs the maker as essential to an understanding of the artifact or object. Can the biography of an artist be held in a privileged and isolated status from the other written sources. In The Absolute Artist: The Historiography of a Concept. Minneapolis: The University of Minnesota Press, 1997, pp. 100–106.

In The Absolute Artist, Catherine M. Soussloff challenges this view in an engaging consideration of the social construction of. .Traditional art history has held that the concept of the artist-genius arose in the Enlightenment. Soussloff challenges this view in an engaging consideration of the social construction of the artist from the fifteenth century to the present. Soussloff disputes this, arguing that earlier writings-artists’ biographies written as long ago as the early fifteenth century-determined and continue to determine our understanding of the myth of the artist.

Related to The Absolute Artist: The Historiography of a Concept
Absolute Makos eBook
Fb2 Absolute Makos ePub
Indian religious historiography eBook
Fb2 Indian religious historiography ePub
Luke-Acts and New Testament Historiography (IBR BIBLIOGRAPHIES) eBook
Fb2 Luke-Acts and New Testament Historiography (IBR BIBLIOGRAPHIES) ePub
Rhetoric in classical historiography: Four studies eBook
Fb2 Rhetoric in classical historiography: Four studies ePub
HIST METHODS INTERPRE (History and historiography) eBook
Fb2 HIST METHODS  INTERPRE (History and historiography) ePub
Narrating the Past: Historiography, Memory and the Contemporary Novel eBook
Fb2 Narrating the Past: Historiography, Memory and the Contemporary Novel ePub
Perspectives on Philippine Historiography: A Symposium eBook
Fb2 Perspectives on Philippine Historiography: A Symposium ePub
Historiography: An Introductory Guide eBook
Fb2 Historiography: An Introductory Guide ePub
The Historiography of the Holocaust eBook
Fb2 The Historiography of the Holocaust ePub