» » Caught in the Act: Anthology of Performance Art by Canadian Women

Fb2 Caught in the Act: Anthology of Performance Art by Canadian Women ePub

by Tanya Mars,Johanna Householder

Category: History and Criticism
Subcategory: Photo and Art
Author: Tanya Mars,Johanna Householder
ISBN: 0920397840
ISBN13: 978-0920397848
Language: English
Publisher: Y Y Z Books (December 1, 2004)
Pages: 444
Fb2 eBook: 1427 kb
ePub eBook: 1758 kb
Digital formats: lrf mbr mobi lit

Tanya Mars is a multi-disciplinary performance artist who has been actively involved in the Canadian artist-run movement since the mid-70s. She was a founding member and past Director of Powerhouse Gallery/La Centrale in Montreal, which was the first women's art gallery in Canada.

Tanya Mars is a multi-disciplinary performance artist who has been actively involved in the Canadian artist-run movement since the mid-70s. During the 70's and 80's she was a member and secretary of the Association of National Non-Profit Artist-Run Centres (1976-1989), a national lobby group for artist-run centres.

Johanna Householder is an American-born, Canadian performance artist. In the 1980s, Householder, Louise Garfield and Janice Hladki were members of the feminist performance ensemble The Clichettes, using lip-synching and humour to critique contemporary culture.

Caught In The Act book.

The Granny Suites, Part 1: Happy Birthday to You - 2006.

Tanya Mars, Johanna Householder.

Thursday, December 16, 7 - 10 . YYZ Artists' Outlet 401 Richmond Street, Suite 140, 41. 98.

For more information, contact us at clientit. Johanna Householder et Tanya Mars (di., More Caught in the Act: an anthology of performance art by Canadian women. esse arts + opinions, number 90, spring–summer 2017, p. 111–111. APA. Johnson, M. (2017).

Caught In The Act : An Anthology of Performance Art by Canadian Women more. Caught in the act: an anthology of performance art by Canadian women more.

These three texts are explorations of radical art forms in Pakistan, Canada, and the United States, respectively. A Critical Stage presents an analysis of parallel theater in Pakistan, a theatrical form that confronts social oppression.

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