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Fb2 Feminist Stages: Interviews with Women in Contemporary British Theatre (Contemporary Theatre Studies (Paperback)) ePub

by L. Goodman

Category: Humanities
Subcategory: Other
Author: L. Goodman
ISBN: 3718658828
ISBN13: 978-3718658824
Language: English
Publisher: Routledge (September 1, 1996)
Pages: 304
Fb2 eBook: 1328 kb
ePub eBook: 1915 kb
Digital formats: txt lrf doc lit

Feminist Stages is a major contribution to the study of women and theatre, reminding us of the remarkable achievements of established women writers and directing our attention to innovative work of younger women.

Feminist Stages is a major contribution to the study of women and theatre, reminding us of the remarkable achievements of established women writers and directing our attention to innovative work of younger women. Peta Tait of Lecturer in Drama, The University of New South Wales, Australia.

Feminist Stages book. Start by marking Feminist Stages: Interviews with Women in Contemporary British Theatre as Want to Read: Want to Read savin. ant to Read. She also produces and directs comedy at the Gate Theatre, London.

Goodman, . Feminist Stages: Interviews with Women in Contemporary British Theatre, Harwood . SHOW AND TELL: the delights of devising theatre’ in Studies in Theatre Production, No. 15, June 1997, pp. 43–50

Goodman, . Feminist Stages: Interviews with Women in Contemporary British Theatre, Harwood Academic Publishers, 1996. 3. This show explored the theme of ‘Identity: performing, motherhood, being’, examining multiple identities with particular reference to being a working mother, which was fundamental to the performance. 43–50. Chapter 11, Viglen’s Revenge, Donnell, . and Polkey, P. (eds), Representing Lives: Women and Autobiography, Macmillan Press, 2000. CrossRefGoogle Scholar.

Goodman, Lizbeth and de Gay, Jane (1997) 'Interview with Gillian Hanna', in Goodman, Lizbeth and de Gay, Jane, Feminist Stages: Interviews with Women in Contemporary British Theatre, London: Routledge, pp. 32–39

Goodman, Lizbeth and de Gay, Jane (1997) 'Interview with Gillian Hanna', in Goodman, Lizbeth and de Gay, Jane, Feminist Stages: Interviews with Women in Contemporary British Theatre, London: Routledge, pp. 32–39. Hanna, Gillian et a. ed. (1991) Monstrous Regiment: A Collective Celebration, London: Nick Hern Books.

Feminist Stages: Interviews with Women in Contemporary British Theatre. Amsterdam: Harwood Academic Publishers, 1996. Pp. xiv + 330 + illus. 18 Pb. oceedings{Wolf1998FeministSI, title {Feminist Stages: Interviews with Women in Contemporary British Theatre.

Contemporary British Theatre, Gilles Deleuze and Felix Guattari, Mark Ravenhill . This article discusses Black women’s drama and theatre of African and Caribbean lineage against the backdrop of both 1980s identity politics and the emerging Black and Asian theatre scene in Britain.

Contemporary British Theatre, Gilles Deleuze and Felix Guattari, Mark Ravenhill, Contemporary plays. Modern and ontemporary dramatic writings.

Monstrous Regiment Theatre Company. Reacting to what they saw as the marginal status and stereotypical depiction of women in both conventional and political theatre of the time (Wandor 1993, ch. 3; Hanna ed. Monstrous Regiment Theatre Company was established in 1975, and went on to produce and perform more than 30 shows, in which the main focus was on women’s lives and experiences.

Find nearly any book by L. Goodman. Get the best deal by comparing prices from over 100,000 booksellers. Feminist Stages: Interviews with Women in Contemporary British Theatre (Routledge Harwood Contemporary Theatre Studies).

This journal incorporates Studies in Theatre Production, which has been a leading forum for the analysis of theatrical practice, processes and performance for a decade. STP builds on the considerable achievements of its predecessor, to maintain and extend the scope of articles to encompass all aspects of theatrical practice and process, and bring in more multidisciplinary debates.

Feminist Stages draws together the voices of more than fifty women currently working in the theatres of England, Wales, Scotland and Ireland.It asks provocative questions: What is Feminism? Does gender matter in the theatre? Is there a "female" or "feminist" way of working in the theatre? Are things changing for women in the theatre today? These women speak across generations, sometimes at cross purposes. They speak from individual positions with regard to race, class, sexuality and regional identity, and approaches to performance.About the Author and ResearcherLizbeth Goodman is Lecturer (Theatre Studies/Gender Studies specialist) at the Open University. She also produces and directs comedy at the Gate Theatre, London.Jane de Gay is a Research Assistant working on the Gender, Politics, Performance Research Project (chaired by Lizbeth Goodman for the Open University). She is also completing at Ph.D. study about the work of Virginia Woolf.
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