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Fb2 Gregorian Chant and Medieval Music ePub

by Fagbokforlaget Fagbokforlaget

Category: Humanities
Subcategory: Other
Author: Fagbokforlaget Fagbokforlaget
ISBN: 8251913063
ISBN13: 978-8251913065
Language: English
Publisher: Fagbokforlaget (January 1, 1998)
Pages: 159
Fb2 eBook: 1229 kb
ePub eBook: 1846 kb
Digital formats: lrf rtf lrf docx

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It was through the interest in contemporary liturgical matters in the Roman Catholic Church that serious study of the mediaeval chant manuscripts was started in the 19th century, notably by the monks of Solemnes in France. Categories Women Men Young Adult Kids Shoes Baby Home Patio & Garden Furniture Kitchen & Dining Toys Electronics Video Games Movies, Music & Books Sports & Outdoors Beauty Personal Care Health Household Essentials Pets Grocery Luggage School & Office Supplies Party Supplies Bullseye's Playground Clearance Holiday Shop Target Finds Gifting. product description page.

Start by marking Gregorian Chant and Medieval Music as Want to Read . Published January 1st 1998 by Fagbokforlaget.

Start by marking Gregorian Chant and Medieval Music as Want to Read: Want to Read savin. ant to Read. Gregorian Chant and Medieval Music: Proceedings from The Nordic Festival and Conference of Georgian Chant, Trondheim, St. Olavs Wake 1997. 8251913063 (ISBN13: 9788251913065).

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Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.

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Home Files Music Cinematic. Medieval Gregorian Chants.

This volume reflects both the differences of interest of individual scholars as well as a marked line of division in Gregorian chant scholarship between ecclesiastically-oriented, Roman Catholic studies and - at least in principle - non-denominational university approaches to the same materials. It was through the interest in contemporary liturgical matters in the Roman Catholic Church that serious study of the mediaeval chant manuscripts was started in the 19th century, notably by the monks of Solemnes in France. Their scholarship, which in fact led to the re-adoption of the old traditions in Roman Catholic liturgy in 1903, has involved detailed semiological analyses of early notational practices in connection with a historically-oriented study of the development of the liturgy and the chant.
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