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Fb2 Representations and Contradictions: Ambivalence Towards Images, Theatre, Fiction, Relics and Sexuality ePub

by Jack Goody

Category: World
Subcategory: History books
Author: Jack Goody
ISBN: 0631205268
ISBN13: 978-0631205265
Language: English
Publisher: Wiley-Blackwell (October 30, 1997)
Pages: 293
Fb2 eBook: 1548 kb
ePub eBook: 1512 kb
Digital formats: azw doc lit lrf

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oceedings{ionsAC, title {Representations and Contradictions: Ambivalence Towards Images . 7. Representations of Sex and their Rejection. 8. Culture and Cognition.

oceedings{ionsAC, title {Representations and Contradictions: Ambivalence Towards Images, Theatre, Fiction, Relics and Sexuality}, author {Jack Goody}, year {1997} }. Jack Goody. 1. Representations and Cognitive Contradictions. 2. Icons and Iconoclasm in Africa? Absence and Ambivalence. 3. Relics and the Cognitive Contradiction of Mortal Remains and Immortal Longings. 4. Theatre, Rites and Representations of the Other. 5. The Uneven Distribution of Myth. 6. Fact and Fiction: Objections to the Novel.

Similar books and articles. Added to PP index 2015-02-13.

1997 Representations and Contradictions: Ambivalence Towards Images, Theatre, Fictions, Relics and Sexuality .

1997 Representations and Contradictions: Ambivalence Towards Images, Theatre, Fictions, Relics and Sexuality, Oxford, Blackwell Publishers; translated into Spanish and French (Paris, La Découverte). 1998 Food and Love: A Cultural History of East and West, London, Verso. 1961 Jack Goody Religion and Ritual: The Definitional Problem The British Journal of Sociology, Vol. 12, No. 2 (Jun. 1961), pp. 142–164 doi:10. 2307/586928 JSTOR 586928. 1963 Jack Goody, Ian Watt The Consequences of Literacy Comparative Studies in Society and History, Vol. 5, No. 3 (Apr. 1963), pp. 304–345 JSTOR 177651.

Representations and Contradictions : Ambivalence Towards Images, Theatre, Fiction, Relics and Sexuality. This is an investigation of how societies and cultures in different times and places have represented themselves in images and words.

Representations and Contradictions: Ambivalence Towards Images, Theatre, Fiction, Relics, and Sexuality. Introduction, in The Other: Studies in the Social Ontology of Husserl. Part 2 The permutations of debt - exchange systems in the Pacific: alienation in Melanesian exchange debts and valuables in Fiji and the Marquesas valuables with and without histories the origin of whale teeth value conversion versus competition in kind.

The existence of images of the religion's founders is not offensive to Bahá'ís. Jack Goody, Representations and Contradictions: Ambivalence Towards Images, Theatre, Fiction, Relics and Sexuality, London, Blackwell Publishers, 1997. However, they are encouraged to not display them in private homes or in public, and to treat them with a special degree of reverence and respect. Shoghi Effendi, the appointed head of the religion from 1921 to 1957, wrote: "There is no objection that the believers look at the picture of Bahá'u'lláh, but they should do so with the utmost reverence, and should also not allow that it be exposed openly to the public, even in their private homes.

Representations and contradictions: Ambivalence towards images, theatre, fiction, relics and sexuality. Philadelphia: Coronet Books.

Jack Goody, "Representations and Contradictions: Ambivalence Towards Images, Theatre, Fiction, Relics and Sexuality", London, Blackwell Publishers, 1997. S. L. Huntington, "Early Buddhist art and the theory of aniconism", "Art Journal", 49:4 (1990): 401-8. Rob Linrothe, "Inquiries into the Origin of the Buddha.

Jack Goody, Representations and Contradictions: Ambivalence Towards Images, Theatre, Fiction, Relics and Sexuality, London, Blackwell Publishers, 1997. Oleg Grabar, "Postscriptum", The Formation of Islamic Art, Yale University, 1987 (p209). Rudi Paret, Das islamische Bilderverbot und die Schia, Erwin Gräf (e., Festschrift Werner Caskel, Leiden, 1968, 224-32. Category:Aniconism Category:Censorship in Islam Category:Islamic art Category:Idolatry. Allen, Terry, "Aniconism and Figural Representation in Islamic Art", Palm Tree Books.

This is an investigation of how societies and cultures in different times and places have represented themselves in images and words.
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