Fb2 Selected Stories by Mao Dun (Gems of Chinese Literature) ePub

Mao Dun (4 July 1896 – 27 March 1981) was the pen name of Shen Dehong (Shen Yanbing), was a Chinese essayist, journalist, novelist, and playwright.

Mao Dun (4 July 1896 – 27 March 1981) was the pen name of Shen Dehong (Shen Yanbing), was a Chinese essayist, journalist, novelist, and playwright. A 20th-century Chinese novelist, cultural critic, and the Minister of Culture of People's Republic of China (1949–65), he is one of the most celebrated left-wing realist novelists of modern China. His most famous works are Ziye, a novel depicting life in cosmopolitan Shanghai, and Spring Silkworms. He also wrote many short stories.

Mao Dun (4 July 1896 – 27 March 1981) was the pen name of Shen Dehong (Shen Yanbing), a 20th-century Chinese novelist, cultural critic, and the Minister of Culture of People's Republic of China (1949–65). He is one of the most celebrated left-wing realist novelists of modern China. His most famous works are Ziye, a novel depicting life in cosmopolitan Shanghai, and Spring Silkworms

Categories: Short Story Books. Format Paperback 327 pages. Publication date 01 Dec 1999. Publisher Chinese Literature Press.

Categories: Short Story Books. Publication City/Country Beijing, China. ISBN13 9787507105346. Categories: Short Story Books. 5 100% (1). 4 0% (0).

of Modern Chinese Literature: Haystacks and other selected writings. for new releases in series Gems of Modern Chinese Literature.

Gems of Modern Chinese Literature: Haystacks and other selected writings.

Select Format: Paperback. Publisher:Chinese Literature . China. 11 lbs. Related Subjects. Anthologies Literature & Fiction Short Stories.

Mao Dun, Chinese literary critic and author, generally considered republican China’s greatest realist novelist

Mao Dun, Chinese literary critic and author, generally considered republican China’s greatest realist novelist. Thank you for your feedback.

Selected Works of Mao Dun focuses on: After the founding of the PRC, Mao Dun served as Minister of Culture, the honorary chairman of the National Cultural Federation, the chairman of the Chinese Writers Association, and other duties

Selected Works of Mao Dun focuses on: After the founding of the PRC, Mao Dun served as Minister of Culture, the honorary chairman of the National Cultural Federation, the chairman of the Chinese Writers Association, and other duties. In 1981, after the death of Mao Dun, Mao Dun Literary Prize was established in accordance with the writer's wishes, which is the first literary prize in China named with personal name and the highest award in the field of domestic saga novel creation. It is sponsored by the Chinese Writers Association.

Mao Dun's first contribution to Chinese literature was his reform of Xiaoshuo Yuebao, which made the . In 1927, he published his first novel, Disillusion (幻滅).

Mao Dun's first contribution to Chinese literature was his reform of Xiaoshuo Yuebao, which made the magazine a forum for the circulation of "New Literature. The magazine published the works of many famous writers, like Lu Xun, Xu Dishan, Bing Xin, and Ye Shengtao. Shi, the first actual novel written by Mao Dun, was composed of three volumes, Huanmie (1927), Dongyao (1928), and Zhuiqiu (1928). It is the story of a generation of young intellectuals, who are caught up in the world of revolutionary fervor without a true understanding of the nature of social change.

Contemporary Chinese Literature: An Anthology of Post-Mao Fiction and Poetry By Michael S. Duke M. E. Sharpe, 1985. Gems of Chinese Literature: Prose By Herbet A. Glies Kelly and Walsh, 1923.

Mao Dun. Lars Ellström. Contemporary Chinese Literature: An Anthology of Post-Mao Fiction and Poetry By Michael S. A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.

This book belongs on the reading list of anyone seeking to understand the Chinese revolution at one of its most critical junctures.

As Mao Dun’s gripping tale makes clear, however, middle peasants were not the only people shaken by the Red Terror that seized the Chinese countryside. The appalling violence of the day generated widespread apprehension and desperation on the part of rural society. Beautifully translated by David Hull, this original 1928 version of Mao Dun’s novel opens a revealing window onto the complex drama of social revolution. This book belongs on the reading list of anyone seeking to understand the Chinese revolution at one of its most critical junctures.