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Fb2 Three Mass Proper cycles from Jena 35 (Recent researches in the music of the Renaissance) ePub

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ISBN: 089579165X
ISBN13: 978-0895791658
Publisher: A-R Editions (1982)
Fb2 eBook: 1648 kb
ePub eBook: 1365 kb
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Four parody Masses on Josquin's Motets from the Court of Duke Albrecht V of Bavaria

Four parody Masses on Josquin's Motets from the Court of Duke Albrecht V of Bavaria.

Fors Seulement, Thirty Compositions for Three to Five Voices or Instruments from the Fifteenth and Sixteenth Centuries.

Book · January 2004 with 4 Reads

Book · January 2004 with 4 Reads.

Renaissance music is vocal and instrumental music written and performed in Europe during the Renaissance era. Consensus among music historians has been to start the era around 1400, with the end of the medieval era, and to close it around 1600, with. Consensus among music historians has been to start the era around 1400, with the end of the medieval era, and to close it around 1600, with the beginning of the Baroque period, therefore commencing the musical Renaissance about a hundred years after the beginning of the Renaissance as it is understood in other disciplines.

This is a list of composers active during the Renaissance period of European history

This is a list of composers active during the Renaissance period of European history. Since the 14th century is not usually considered by music historians to be part of the musical Renaissance, but part of the Middle Ages, composers active during that time can be found in the List of Medieval composers. Composers on this list had some period of significant activity after 1400, before 1600, or in a few cases they wrote music in a Renaissance idiom in the several decades after 1600.

In particular, an ample section of the cycle makes use of such texts and is characterised by motivic references between the motets: might that be a sign that Weerbeke was inspired, for his motetti missales, by practices of accompanying liturgical services with motets already current in his area of origin? Furthermore, in Weerbeke’s way of setting rhythmic prayers by means of trochaic sesquialtera passages Pavanello sees a possible heritage of the rich tradition of singing hymns and sequences in rhythmicised polyphony.

For those seeking a book on the Renaissance proper, look elsewhere, but do give this marvelous history your attention as well. There is much to recommend here (the confusion of the time period not withstanding. First, this is truly a "world history" - not the typical Euro-centric history with the obligatory nod to civilizations in the Near East and Asia. There seems to be a trend by recent historians to consider the Italian Renaissance as the beginning of the Modern Era, rather than as a separate time period between the middle ages and the modern era, so I am guessing that there will be a fourth book in this series that begins with what is traditionally considered the Renaissance.

The mass proper played a much greater and more significant musical and symbolic role in the landscape of later-medieval and Renaissance music-making than is currently acknowledged. The present collection of fifteen essays offers new insights into both Isaac's mass propers themselves, which are still shrouded by many enigmas, and their context within broader later-fifteenth and sixteenth-century mass proper traditions

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